Crossouts sustain me now. I search out and cherish them like old photographs of my mother in happier times. It may be a stage of grieving that will pass. It may be I’ll never again think of sentences unshadowed in this way. It has changed me. Now I too am someone who knows marks.
Here is an epitaph for my mother I found on p. 19 of the Fitzwilliam Manuscript of Virginia Woolf’s Women and Fiction:
such
abandonObviously it is impossible, I thought, looking into these
mentfoaming waters, to
suchcompare the living with the dead make any comparison
rapturecompare them.
Anne Carson, Men in the Off Hours
First section: The Last Good Year; The Last Good Year; The Last Good Year;
Second section: house: a (tiny) memoir;
Third section: The Last Good Year; The Last Good Year; The Last Good Year; The Last Good Year; The Last Good Year; The Last Good Year; The Last Good Year; The Last Good Year;